Some Issues of Study of Texts in the Lyrics of Muslim Woman Literature

Abstract

Phraseological units, as stable linguistic constructions, perform not only a nominative but also a cognitive function, as they represent condensed concepts reflecting the cultural and mental code of native speakers. Their use in poetic discourse is associated not only with aesthetic purposes but also with a specific strategy of influencing the recipient. Precedent texts incorporated into an author's work in the form of quotations, reminiscences, and allusions create intertextual connections and expand the field of interpretation. In Madina Gyulgun’s poetry, these elements play a crucial role in shaping her unique artistic world, which simultaneously relies on tradition and opens new semantic horizons. Madina Gyulgun’s work is of particular interest from the perspectives of cognitive linguistics and pragmatics. Her poetry is rich in fixed expressions deeply rooted in Azerbaijani, Eastern, and global culture. Furthermore, she actively employs precedent texts, referencing literary, religious, and philosophical sources. This creates an effect of multiple interpretations and enhances the emotional and cognitive impact of her lyrics.
Thus, the aim of this article is to analyze phraseological units and precedent texts in Madina Gyulgun’s lyrics, considering cognitive and pragmatic aspects. To achieve this goal, the study will examine theoretical foundations of intertextuality, provide examples of phraseological expressions and precedent texts in her poetry, and analyze their functions and mechanisms of influence on the reader’s perception